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Ever hear the one about the mothers-in-law who had their own hit sitcom in the late ’60s? If you have (or even if the series is new to you), you’re in luck! MPI Home Video is taking us all back to the groovy days of dial telephones, portable typewriters and LP records — not to mention raucous comedy.
After a 41-year absence from TV screens, The Mothers-In-Law is at last being released on DVD in an impressive eight-disc set featuring all 56 episodes from its two-season run.
The show follows the misadventures of two couples — three if you count their kids, young newlyweds whose marriage is the reason for the program’s title. Eve Arden and Herb Rudley are the strait-laced, conservative Hubbards. (Yes, Eve is referred to as “Mother Hubbard,” but you have to wait until the fifth episode to hear it.)
Their neighbors are the Buells, played by Kaye Ballard and Roger C. Carmel in the first season, and Ballard and Richard Deacon in the second. Kaye’s a loud, rather high-strung, tortellini-touting mama, and Roger’s a large, burly teddy-bear of a man, so… let’s just say if the Hubbards are white-bread, the Buells are more cannoli!
Ballard, now 85, explains, “There was an Italian and a WASP who didn’t quite understand each other.” She reminds us that the show ran shortly before 1971, when another groundbreaker (reportedly influenced by this one) called All in the Family changed the farcical face of TV with more confrontational subject matter.
“Ours was gentle humor compared to what was going on there,” she observes.
Indeed, there is something tremendously sweet about one’s daughter marrying the boy next door. This bunch merely mined the potential of such a match. The result was that on Sunday nights from 1967 to 1969 on NBC, executive producer Desi Arnaz and company were given free rein to use every mother-in-law joke in the book — and did so beautifully.
The cast played any and every situation — no matter how outlandish — with a kind of expertise practically unheard of in TV today. Then again, their writers were Madelyn Pugh Davis and Bob Carroll Jr. — the same team who gave the Ricardos and the Mertzes their best lines in I Love Lucy.
This may sound like fightin’ words to some, but the average episode of the The Mothers-In-Law contains more genuine guffaws than does I Love Lucy — the series that it’s most frequently compared to.
Much of the humor in both is based on the age-old battle of the sexes. Similarly, more than a few segments center on musical performances, beginning with “Career Girls,” in which Eve and Kaye try their interpretation of country music. Even in the last episode — “The Not-So-Grand-Opera” — they wreak havoc as chorus members in a Wagnerian spectacle, complete with a runaway horse!
Ballard notes one of the episodes with Arnaz that is “really hilarious.”
“Eve and I get locked up in a department store, and we only have a single dime to make a call,” she says. “She keeps dialing and dialing and gets Barcelona, Spain! You know, I hadn’t watched it in 30 years, but suddenly I was screaming with laughter all over again!”
The show was among the first to be filmed in color from the outset, which explains the bright, at times even strident, use of contrasting tints and tones in the sets and costumes. The Hubbards’ living room is a curious mix of mint-green walls, pale purple curtains and bold orange and yellow furniture.
“Eve did it herself,” Ballard says of the décor. “And I wouldn’t blame the room if it did it back to her!”
To preserve the episodes’ authenticity, many include sponsor-based commercials delivered by the characters seemingly as part of the action, which are featured as extras on the special bonus disc. There’s also a brief introduction by Desi Arnaz Jr. (who appears in numerous episodes), as well as the long-lost original pilot.
In Ballard’s autobiography, How I Lost 10 Pounds in 53 Years, she reveals that it was longtime Desilu collaborator Vivian Vance who advised that each Mothers-in-Law actor should share his or her real name with the character they played. Her reasoning came from her experience of constantly being referred to by her own character’s name, Ethel Mertz. Obviously, Arnaz, too, was well-acquainted with this situation. His character on the shows he did with Lucille Ball was named Ricky Ricardo.
So Kaye Ballard’s character was called Kaye Buell, Eve Arden would be Eve Hubbard, Herbert Rudley would be Herb Hubbard, and so on. (That is, until the second season when Richard Deacon took over the part of Roger Buell from Roger C. Carmel.)
The only other exception to the naming game was the Hubbards’ daughter Suzie, played in the pilot by actress Kaye Cole (who later found Broadway fame as part of the original cast of A Chorus Line). Sharing the same name as her mother-in law was bound to be confusing, so the creators simply changed it, and when Cole was replaced by Deborah Walley (popular from the Beach Party movies), the name was kept.
Ballard recalls Carmel with particular fondness. “I adored my ‘first’ husband — he was wonderful!” she says with a smile, relating the unique comic chemistry they had together. “The shows I did with Roger C. Carmel were the best!”
Ballard said that “working with Eve Arden was fun, almost like Mutt & Jeff.” She described Arden as “a real professional and a darling, darling woman.”
Arden later went on to find fame with a whole new audience when she appeared in Grease and Grease 2.
But she and most of the rest of the cast are no longer with us, including Walley, who died of cancer in 2001.
Jerry Fogel, though, who played Suzie’s husband, was something of a staple on Kansas City talk radio until his retirement in 2001. (His son is popular Chicago on-air personality Dave Fogel.)
Meanwhile, Ballard is still performing. She has appeared in some notable revivals, including the Paper Mill Playhouse version of Follies. She is now preparing a new production titled Broadway Ladies for debut later this year.
Nonetheless, it seems that everywhere she goes, Ballard is still remembered for The Mothers-in-Law.
“I get e-mail all the time — from Germany, from Switzerland — all over the place, asking ‘When is it coming out?” she says.
Happily, the wait is over. The Mothers-In-Law: The Complete Collection is ready to be discovered or experienced all over again, thanks to this digitally remastered compilation, available wherever DVDs are sold.
Worldwide opera star Renée Fleming will perform in Kansas City on Thursday night, November 18, but the day before, she'll be part of a panel discussion for "Music and the Mind" — a conversation about how music affects the brain, cognitive development, healing and quality of life.
WHAT: Music and the Mind with Renée Fleming
WHEN: Wednesday, Nov 17, 2021
TIME: 4:00-5:30 PM
WHERE: The 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS, 66205
Music has a profound impact and the ability to shape 86 billion neurons in the brain for cognitive development, healing, and therapy. Science research has clearly shown that music therapy interventions can improve quality of life across nearly all neurological disorders. And there is tremendous public-interest in applying music to creative aging, childhood development, and community wellness.
But scientists want to know more.
Join soprano Renée Fleming and a distinguished panel of local Kansas City experts in neurology, music therapy, music and healing, and more for this cutting-edge discussion. Audience members will be able to participate in a Q&A following the panel discussion.
*Please note this Music and the Mind Event is not a musical performance*
As Artistic Advisor at Large to the John F. Kennedy Center for the Performing Arts, Renée Fleming has spearheaded a collaboration with the National Institutes of Health, with the participation of the National Endowment for the Arts (NEA). The Sound Health initiative explores and brings attention to research and practice at the intersection of music, health, and neuroscience. This collaboration has led to workshops at the NIH, and events and performances at the Kennedy Center. This initiative has also led the NIH to recently award $20 million dollars in funding for music and neuroscience research over five years.
As part of her advocacy, Fleming is also advisor to the recently launched NEA/UCSF Sound Health Network and co-chair of the Aspen Institute/Johns Hopkins NeuroArts Blueprint, both working to advance the field of arts and health.
This event is free and open to the public, but seating is limited. Please call the Harriman-Jewell Series at 816-415-5025 to reserve your seat.
WHAT: Renée Fleming, soprano in recital
WHEN: Thursday, Nov 18, 2021
TIME: 7:00 PM
WHERE: Helzberg Hall, Kauffman Center for the Performing Arts
COST: Tickets from $25.00 *discounts available for students, educators, first responders, active duty military and veterans with valid I.D.
Pair a glorious voice with a winning personality and you have a diva for the ages. Renée Fleming is a longstanding Harriman-Jewell Series favorite. With her many television and Broadway appearances, Fleming has been embraced by music lovers of all genres.
Whether singing at the Nobel Peace Prize ceremony, the Olympics, or Queen Elizabeth’s Diamond Jubilee, Renée Fleming represents opera to the world. In addition to her numerous operatic performances, Fleming often works classic show tunes and the Great American Songbook into her recitals. Fleming’s trademark rapport with audiences will give her Kansas City performance a warmth that is personal and sincere.
Rob Ainsley is pianist for the recital. His diverse career as a musician, conductor, educator, and administrator has taken him to top organizations and colleges from coast to coast. He now serves as Director of the Washington National Opera’s Cafritz Young Artists and American Opera Initiative. Ainsley performed with Renée Fleming in The Metropolitan Opera’s August 2020 “Met Stars Live in Concert” that was streamed worldwide.
ABOUT THE HARRIMAN-JEWELL SERIES
Renée Fleming's recital will mark the 977th performance since the Series was founded in 1965. From free education events that allow interaction with musicians and dancers, to our free Discovery Concerts that are open to the community, the Harriman-Jewell Series continues to offer life-enriching opportunities for its community's youth and lifelong learners.
Whether you're spreading truth, information, or love, traveling abroad for humanitarian reasons can have risks. Detained American journalist in Myanmar, Danny Fenster, is to be released from jail, and to fly home soon. But it doesn't always end well for every foreign national attempting to do good in a foreign country.
The missionaries consisting of sixteen Americans and one Canadian kidnapped by the Haitian “400 Mawozo” gang on October 16, is extremely scary. The gang has threatened to kill the humanitarian Christians if a million dollar per person ransom is not fulfilled. The group consists of men, women, children and an eight-month-old baby.
These missionaries have sacrificed their time and paid their own way to go to the poorest place in the Western hemisphere to try to spread God’s love and save some souls. In turn, the missionaries are experiencing a nightmare like they’ve never imagined. They’re imprisoned and being threatened with a bullet in the head.
Most of us will never get over seeing journalists being beheaded and tortured in Syria and Iraq by the barbaric Islamic extremist group called ISIL. Burning people alive and beheading others were too graphic and gruesome to ever be forgotten.
Years ago, I traveled to a third world country on a “missionary trip” with others thinking it would be a nice break. I’ve never worked so hard in my life.
Sadly, the 17 missionaries in Haiti are undergoing a cruel experience that may end with the cost of their very lives. What are they thinking now? What is going through the minds of the little children who traveled to a world to help others and spread God’s love?
Haiti has been the site of years of humanitarian efforts. The United States and other countries have given billions of dollars to help Haiti. Sadly, hurricanes, political unrest, underdevelopment and extreme poverty have all made for a sad scenario.
How much money would the world have to give to Haiti to make life better for this nation? This is a question no one can answer because usually aid is a short-term solution. We spent a trillion dollars in Afghanistan and they aren’t any better off today.
Good missionary people went to Haiti with good hearts for helping others in the name of God’s love. They went to share a message they hoped would bring about change and better lives. They may now lose their lives.
Christians point to Jesus as the model for such missionary efforts. He came preaching and teaching in an effort to demonstrate and spread God’s love and it cost him plenty – his life, executed in public on a cross.
There are some Christians today who, like Jesus, are willing to risk their lives for the sake of others. Did these men and women literally go to Haiti taking their children with them truly believe they could be killed? Would they purposefully do this to their children? Who convinced these people that such a trip with small children was a good idea?
My goal here is to simply say, think about such trips to places like Haiti. Afghanistan, Iraq, Northern Nigeria and numerous others countries are not vacation spots. Foreign travel may sound exotic and adventurous but consider the possible cost.
Many missionaries and Christian workers have paid the ultimate price in order to spread the gospel of Christ. Only eternity will reveal what their selfless sacrifice has meant to those whose lives they impacted.
By chance, if you decide such an international trip is not for you, don’t feel bad. Consider helping in an American inner city, Appalachia or maybe your own neighborhood. Service at home is needed across America.
Let’s pray for the safety of these missionaries and for those negotiating their release. May God help them and all who may consider such endeavors.
ABOUT THE AUTHOR
Dr. Glenn Mollette is a graduate of numerous schools including Georgetown College, Southern and Lexington Seminaries in Kentucky. He is the author of 13 books including Uncommon Sense, Grandpa's Store, Minister's Guidebook: insights from a fellow minister. His column is published weekly in over 600 publications in all 50 states. Glenn Mollette has been on numerous International humanitarian and missionary group trips. Hear Glenn Mollette every weekday morning EST at 8:56 on XM radio 131. Editor-If you need to tweak or do a small edit for you paper or website that is okay. Please respond to this email if you need a picture for this column. Scroll down for additional biographical info. Buy his latest recording titled "Black Coffee" on iTunes. Learn more at www.glennmollette.com
The Black Trans Fund, incubated at Groundswell Fund, and Grantmakers for Girls of Color launched the Holding a Sister Initiative, the first-ever national fund explicitly dedicated to transgender girls and gender-expansive youth of color.
Dr. Monique W. Morris, president and CEO of Grantmakers for Girls of Color, and Bré Rivera, program director of the Black Trans Fund are together spearheading the Holding a Sister Initiative to bring attention and resources to organizations supporting trans girls of color, normalize concern and investment in their success, and create learning opportunities for cis and trans girls of color to move in deeper community with one another.
The initiative will award $1 million in grants in the first year, and will ultimately engage trans girls and gender-expansive youth of color in the decision-making process for selecting grantees on an ongoing basis.
While there has been an increase in donor attention to work led by people of color, it has yet to translate into significant gains in funding for trans and gender-expansive youth of color.
According to recent regional studies in Detroit, South Florida and New Orleans, trans women of color face higher levels of hunger, homelessness, unemployment, incarceration and discrimination. At the same time, the majority of this year's record-breaking anti-trans legislation are targeted to affect youth, including bills that prevent transgender athletes from playing in school sports and the "Save Adolescents from Experimentation (SAFE) Act." Research has show sharp rises in suicide attempts among trans youth during 2020 and 2021.
"The reality is transgender and gender-expansive youth of color require more attention, and resources to interrupt the staggering intersections of trauma and crises they experience," said Bré Rivera.
The initiative joins existing funding intermediaries who have been leading the work to resource trans communities and engage trans people in the direction and distribution of resources, including the Third Wave Fund, the Black Trans Travel Fund, and Fund for Trans Generations. As funding partners, the Black Trans Fund and Grantmakers for Girls of Color aim to expand and transform philanthropy's investments in trans and gender-nonconforming youth. The initiative will move resources to organizations serving and led by trans girls and young women of color. It will also amplify narratives that elevate the humanity, dignity and leadership of trans and gender-expansive youth of color, as well as the ways their experiences and contributions have been overlooked, minimized and targeted by oppositional and systemic forces, and larger social justice movements.
The Holding a Sister Initiative will be led by a manager, who will steward culture change through grantmaking, capacity building, narrative shifting and philanthropic organizing. The position is currently open for applicants.
About Grantmakers for Girls of Color
Fiscally-sponsored by Rockefeller Philanthropy Advisors, Grantmakers for Girls of Color (G4GC) works to mobilize resources and amplify transformative organizing work to dismantle systems of oppression led by girls and gender-expansive youth of color. Grantmakers for Girls of Color openly invites partners and stakeholders to co-create an inclusive space in support of girls, young women, and gender-expansive youth of color across programmatic issues and geographic areas. Learn more by visiting Grantmakers for Girls of Color.
About the Black Trans Fund
The Black Trans Fund is a groundbreaking endeavor: the first national fund in the country dedicated to uplifting and resourcing Black trans social justice leaders. BTF seeks to address the lack of funding for Black trans communities in the U.S. through direct grantmaking, capacity building support, and funder organizing to transform philanthropy. Learn more by visiting Black Trans Fund.