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Chris Hernandez, a familiar face to many in Kansas City from his role at KSHB-TV, Channel 41, where he covered national politics and City Hall, won’t be so visible in local television any longer. He left the TV station in August to become marketing director at the Unicorn Theatre, a position that was vacated by Justin Shaw when he left to start as executive director at the Kansas City Anti Violence Project.
Hernandez is also known to many people in Kansas City because he sings in the Heartland Men’s Chorus and volunteers for local nonprofit organizations. As we celebrate National Coming Out Day (Oct. 11) and LGBT History Month, it’s also important to note that Hernandez has been openly gay in his career to no disadvantage.
He worked at KSHB for nearly eight years. In addition to his reporting duties, he sometimes substituted on the anchor desk and also provided a voice on the panel of experts for the public television show KC Week in Review on KCPT, Channel 19.
Hernandez previously worked at the CBS station in Chicago and the ABC affiliate in Cleveland. Throughout that time, he was involved in a relationship with Paul Monteil, his partner of 17 years, who works at Hallmark in Kansas City. They had a commitment ceremony with family 10 years ago and several years ago got married in Iowa.
“As I was advancing in my career, which in broadcasting generally means you have to go to other cities and other markets, he was getting promotions at Hallmark. So we ended up deciding to try long distance and we did. And then it got to the point where we said, ‘What are we going to do?’ and made the decision since both of our families are here in Kansas City that I would come back to Kansas City.”
Hernandez is a journalism graduate of the University of Kansas and a native of Kansas City. In recent years, he said, he had been thinking about his future if he stayed in broadcast journalism.
“It’s been about a year-and-a-half, two years, where I was at this point in my life where I thought, ‘I’ve done this for a long time. Do I want to do it the rest of my career, or do I want to do something different?’ I’ve always been active in community events and stuff, but it seemed like this time around, after I had already gone out to big markets, done the typical career path for journalism, the decision to come home was really about coming home, being involved in the community, having family close, and it just kind of changes your perspective.
“I think being active on some boards in the nonprofit community — it just opens your eyes a little bit to what there is outside of journalism. I had just been eating, breathing and living TV news for years and not really thinking about anything else, so it was a process of thinking about different career paths, talking to people who were in various forms of communication whether it’s marketing, PR, community relations.”
Hernandez said he even thought of going into e-commerce and opening an online store for art and more.
“As I was in that process and weeding things out, thinking about new things, I found out about the Unicorn job. I had known Cynthia Levin for, I don’t know, 15 years or whatever. We’ve been a supporter of the Unicorn. My partner, Paul, had been on the board, and he had just stepped down off the board after I got hired. So we’ve certainly always known and loved the Unicorn. It just sounded like the most interesting job description of all the things I had been looking at. It’s cool, funky, edgy theater in Midtown that has been there a long time. I went ahead and pulled the trigger, which was really a big thing in my life.”
Hernandez jumped into his new job at the Unicorn midway into the current production of The Motherf**ker with the Hat. The upcoming musical Bloody Bloody Andrew Jackson, will be the first Unicorn production that Hernandez has been involved with marketing from the very beginning of the show.
“It’s a political show,” he said. “Having covered politics for so many years, it’s really cool. It’s got a great score, and it’s like this whole Andrew Jackson from the early 1800s, but it’s all about the whole populism vs. Washington insiders. And it’s just so cool how they’ve taken that bit of history and in telling his story, it’s so relevant to what is still going on today.”
In the spirit of National Coming Out Day, Hernandez described a learning experience he went through about being out in the workplace.
“Well, here’s the deal. I was talking about the camera craving authenticity, and that’s what works in news, anything that involves the camera. In my career, early on, I was dealing with the whole coming-out issue and I had an agent, and we were trying to get me out of Kansas City to move up the ladder. We were working with my tape, trying to put together a really good tape. On the surface, it looked like I had everything. Great live shots, good storytelling, a good look, everything was there. For some reason, something wasn’t connecting, and we couldn’t figure out what it was. And my agent and I talked, and talked, and talked.
“And what we finally figured out was that I was a gay man who was still trying to put up a front, like ‘I’m Mr. Reporter Man, and it doesn’t matter if I’m gay, I could be straight, you don’t know’ -- just kind of this front, and it was getting between me and the camera.
“And it was a revelation. We had been trying everything -- wear more casual clothes, change your hair. And when we finally figured this out in these long conversations, it was a revelation and it really affected my work. And this was at the same time where I was settling into my relationship with Paul. And I think you become more comfortable with who you are when you have a relationship where you are very happy. And it all just came together, and I thought, ‘I don’t need to hide this. I just need to be who I am.
“… As soon as I became comfortable in my own skin, my work dramatically improved. I got rid of the wall and made the connection. I had people who I had worked with for years who were suddenly saying, ‘Chris, what did you do? Your work is so much better.’ And it’s really about just being comfortable in your skin and who you are.”
Worldwide opera star Renée Fleming will perform in Kansas City on Thursday night, November 18, but the day before, she'll be part of a panel discussion for "Music and the Mind" — a conversation about how music affects the brain, cognitive development, healing and quality of life.
WHAT: Music and the Mind with Renée Fleming
WHEN: Wednesday, Nov 17, 2021
TIME: 4:00-5:30 PM
WHERE: The 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS, 66205
Music has a profound impact and the ability to shape 86 billion neurons in the brain for cognitive development, healing, and therapy. Science research has clearly shown that music therapy interventions can improve quality of life across nearly all neurological disorders. And there is tremendous public-interest in applying music to creative aging, childhood development, and community wellness.
But scientists want to know more.
Join soprano Renée Fleming and a distinguished panel of local Kansas City experts in neurology, music therapy, music and healing, and more for this cutting-edge discussion. Audience members will be able to participate in a Q&A following the panel discussion.
*Please note this Music and the Mind Event is not a musical performance*
As Artistic Advisor at Large to the John F. Kennedy Center for the Performing Arts, Renée Fleming has spearheaded a collaboration with the National Institutes of Health, with the participation of the National Endowment for the Arts (NEA). The Sound Health initiative explores and brings attention to research and practice at the intersection of music, health, and neuroscience. This collaboration has led to workshops at the NIH, and events and performances at the Kennedy Center. This initiative has also led the NIH to recently award $20 million dollars in funding for music and neuroscience research over five years.
As part of her advocacy, Fleming is also advisor to the recently launched NEA/UCSF Sound Health Network and co-chair of the Aspen Institute/Johns Hopkins NeuroArts Blueprint, both working to advance the field of arts and health.
This event is free and open to the public, but seating is limited. Please call the Harriman-Jewell Series at 816-415-5025 to reserve your seat.
WHAT: Renée Fleming, soprano in recital
WHEN: Thursday, Nov 18, 2021
TIME: 7:00 PM
WHERE: Helzberg Hall, Kauffman Center for the Performing Arts
COST: Tickets from $25.00 *discounts available for students, educators, first responders, active duty military and veterans with valid I.D.
Pair a glorious voice with a winning personality and you have a diva for the ages. Renée Fleming is a longstanding Harriman-Jewell Series favorite. With her many television and Broadway appearances, Fleming has been embraced by music lovers of all genres.
Whether singing at the Nobel Peace Prize ceremony, the Olympics, or Queen Elizabeth’s Diamond Jubilee, Renée Fleming represents opera to the world. In addition to her numerous operatic performances, Fleming often works classic show tunes and the Great American Songbook into her recitals. Fleming’s trademark rapport with audiences will give her Kansas City performance a warmth that is personal and sincere.
Rob Ainsley is pianist for the recital. His diverse career as a musician, conductor, educator, and administrator has taken him to top organizations and colleges from coast to coast. He now serves as Director of the Washington National Opera’s Cafritz Young Artists and American Opera Initiative. Ainsley performed with Renée Fleming in The Metropolitan Opera’s August 2020 “Met Stars Live in Concert” that was streamed worldwide.
ABOUT THE HARRIMAN-JEWELL SERIES
Renée Fleming's recital will mark the 977th performance since the Series was founded in 1965. From free education events that allow interaction with musicians and dancers, to our free Discovery Concerts that are open to the community, the Harriman-Jewell Series continues to offer life-enriching opportunities for its community's youth and lifelong learners.
Whether you're spreading truth, information, or love, traveling abroad for humanitarian reasons can have risks. Detained American journalist in Myanmar, Danny Fenster, is to be released from jail, and to fly home soon. But it doesn't always end well for every foreign national attempting to do good in a foreign country.
The missionaries consisting of sixteen Americans and one Canadian kidnapped by the Haitian “400 Mawozo” gang on October 16, is extremely scary. The gang has threatened to kill the humanitarian Christians if a million dollar per person ransom is not fulfilled. The group consists of men, women, children and an eight-month-old baby.
These missionaries have sacrificed their time and paid their own way to go to the poorest place in the Western hemisphere to try to spread God’s love and save some souls. In turn, the missionaries are experiencing a nightmare like they’ve never imagined. They’re imprisoned and being threatened with a bullet in the head.
Most of us will never get over seeing journalists being beheaded and tortured in Syria and Iraq by the barbaric Islamic extremist group called ISIL. Burning people alive and beheading others were too graphic and gruesome to ever be forgotten.
Years ago, I traveled to a third world country on a “missionary trip” with others thinking it would be a nice break. I’ve never worked so hard in my life.
Sadly, the 17 missionaries in Haiti are undergoing a cruel experience that may end with the cost of their very lives. What are they thinking now? What is going through the minds of the little children who traveled to a world to help others and spread God’s love?
Haiti has been the site of years of humanitarian efforts. The United States and other countries have given billions of dollars to help Haiti. Sadly, hurricanes, political unrest, underdevelopment and extreme poverty have all made for a sad scenario.
How much money would the world have to give to Haiti to make life better for this nation? This is a question no one can answer because usually aid is a short-term solution. We spent a trillion dollars in Afghanistan and they aren’t any better off today.
Good missionary people went to Haiti with good hearts for helping others in the name of God’s love. They went to share a message they hoped would bring about change and better lives. They may now lose their lives.
Christians point to Jesus as the model for such missionary efforts. He came preaching and teaching in an effort to demonstrate and spread God’s love and it cost him plenty – his life, executed in public on a cross.
There are some Christians today who, like Jesus, are willing to risk their lives for the sake of others. Did these men and women literally go to Haiti taking their children with them truly believe they could be killed? Would they purposefully do this to their children? Who convinced these people that such a trip with small children was a good idea?
My goal here is to simply say, think about such trips to places like Haiti. Afghanistan, Iraq, Northern Nigeria and numerous others countries are not vacation spots. Foreign travel may sound exotic and adventurous but consider the possible cost.
Many missionaries and Christian workers have paid the ultimate price in order to spread the gospel of Christ. Only eternity will reveal what their selfless sacrifice has meant to those whose lives they impacted.
By chance, if you decide such an international trip is not for you, don’t feel bad. Consider helping in an American inner city, Appalachia or maybe your own neighborhood. Service at home is needed across America.
Let’s pray for the safety of these missionaries and for those negotiating their release. May God help them and all who may consider such endeavors.
ABOUT THE AUTHOR
Dr. Glenn Mollette is a graduate of numerous schools including Georgetown College, Southern and Lexington Seminaries in Kentucky. He is the author of 13 books including Uncommon Sense, Grandpa's Store, Minister's Guidebook: insights from a fellow minister. His column is published weekly in over 600 publications in all 50 states. Glenn Mollette has been on numerous International humanitarian and missionary group trips. Hear Glenn Mollette every weekday morning EST at 8:56 on XM radio 131. Editor-If you need to tweak or do a small edit for you paper or website that is okay. Please respond to this email if you need a picture for this column. Scroll down for additional biographical info. Buy his latest recording titled "Black Coffee" on iTunes. Learn more at www.glennmollette.com
The Black Trans Fund, incubated at Groundswell Fund, and Grantmakers for Girls of Color launched the Holding a Sister Initiative, the first-ever national fund explicitly dedicated to transgender girls and gender-expansive youth of color.
Dr. Monique W. Morris, president and CEO of Grantmakers for Girls of Color, and Bré Rivera, program director of the Black Trans Fund are together spearheading the Holding a Sister Initiative to bring attention and resources to organizations supporting trans girls of color, normalize concern and investment in their success, and create learning opportunities for cis and trans girls of color to move in deeper community with one another.
The initiative will award $1 million in grants in the first year, and will ultimately engage trans girls and gender-expansive youth of color in the decision-making process for selecting grantees on an ongoing basis.
While there has been an increase in donor attention to work led by people of color, it has yet to translate into significant gains in funding for trans and gender-expansive youth of color.
According to recent regional studies in Detroit, South Florida and New Orleans, trans women of color face higher levels of hunger, homelessness, unemployment, incarceration and discrimination. At the same time, the majority of this year's record-breaking anti-trans legislation are targeted to affect youth, including bills that prevent transgender athletes from playing in school sports and the "Save Adolescents from Experimentation (SAFE) Act." Research has show sharp rises in suicide attempts among trans youth during 2020 and 2021.
"The reality is transgender and gender-expansive youth of color require more attention, and resources to interrupt the staggering intersections of trauma and crises they experience," said Bré Rivera.
The initiative joins existing funding intermediaries who have been leading the work to resource trans communities and engage trans people in the direction and distribution of resources, including the Third Wave Fund, the Black Trans Travel Fund, and Fund for Trans Generations. As funding partners, the Black Trans Fund and Grantmakers for Girls of Color aim to expand and transform philanthropy's investments in trans and gender-nonconforming youth. The initiative will move resources to organizations serving and led by trans girls and young women of color. It will also amplify narratives that elevate the humanity, dignity and leadership of trans and gender-expansive youth of color, as well as the ways their experiences and contributions have been overlooked, minimized and targeted by oppositional and systemic forces, and larger social justice movements.
The Holding a Sister Initiative will be led by a manager, who will steward culture change through grantmaking, capacity building, narrative shifting and philanthropic organizing. The position is currently open for applicants.
About Grantmakers for Girls of Color
Fiscally-sponsored by Rockefeller Philanthropy Advisors, Grantmakers for Girls of Color (G4GC) works to mobilize resources and amplify transformative organizing work to dismantle systems of oppression led by girls and gender-expansive youth of color. Grantmakers for Girls of Color openly invites partners and stakeholders to co-create an inclusive space in support of girls, young women, and gender-expansive youth of color across programmatic issues and geographic areas. Learn more by visiting Grantmakers for Girls of Color.
About the Black Trans Fund
The Black Trans Fund is a groundbreaking endeavor: the first national fund in the country dedicated to uplifting and resourcing Black trans social justice leaders. BTF seeks to address the lack of funding for Black trans communities in the U.S. through direct grantmaking, capacity building support, and funder organizing to transform philanthropy. Learn more by visiting Black Trans Fund.