By Cait Brennan, Nov. 6, 2014.
Annie Lennox | Nostalgia | Blue Note |
The opener, “Memphis In June,” starts off sounding like an old-time 78 rpm record spinning on your great-grandma’s Victrola, but soon blooms into a lush orchestral sound. Lennox delivers soulful turns on blues and jazz standards like “Georgia On My Mind,” “Summertime,” and such reverent, emotionally-charged Billie Holiday standards as “Strange Fruit” and “God Bless The Child.”
Lennox is at her best when she steps away from the reverence and lets sparks fly, like when she tears it up on the Screamin’ Jay Hawkins favorite “I Put A Spell On You,” and her simple, tender take on “The Nearness Of You.”
Annie Lennox has never sounded better, and these mostly pre-World War II songs, which reach back to a complex era not unlike our own, have never felt more timely.
Lucinda Williams | Down Where The Spirit Meets The Bone | Highway 20 |
“Compassion” starts things off with a very personal artistic collaboration; it’s a song Williams wrote with lyrics taken from a poem by her father, the well-known poetry professor Miller Williams. Over the course of this amazing 20 song double-album (if that concept can even be applied in 2014), she bares her soul on subjects like poverty on “East Side Of Town” and a sort of Buddhist impermanence on “Temporary Nature”, while laying out some Old Testament vengeance in “Cold Day In Hell.” Great blues-rock guitar and a down-home delta swamp-rock stomp drives it forward.
As the first release on her own label, Williams clearly felt free of the constraint — and editing — that label oversight can provide, and two hours is a long time for modern attention spans. But the quality is consistent throughout.
Williams truly sings her life, the experience and heartbreak and yearning and the slings and arrows have only made her stronger. Down Where The Spirit Meets The Bone is one of her best.
The Vaselines | V For Vaselines | Rosary Music |
It took them 20 more years before they decided to record again, but the Vaselines are back, and from the Tom of Finland leather-daddy look they’re sporting on the cover to the sexually-charged pop-punk within, they’re ready for action.
“High Tide Low Tide” is classic Vaselines, with boy-girl harmonies and an awkward and hilarious tale of a weird hookup, over a blistering Ramones-esque beat, with Kelly on lead. “The Lonely LP,” with McKee’s lovely lead vocals, follows suit. She’s one of the great female indie rockers, in the tradition of the Pixies’ Kim Deal, and deserves more credit.
While the big-time production gloss makes listeners miss the homespun bedroom-pop weirdness of their early primitive recordings, “Number One Crush” and “One Lost Year” are undeniable dance party favorites for the Ramones rocker in your life. e