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Kevin Deen paints in a unique style that a friend named “pop constructivism,” a term that Deen likes and now uses himself. His work is linear and done painstakingly in layers, with masking tape separating the intricate lines of a structure, whether it’s a barn, house, museum, church, or anything else with architectural appeal.
After many years of working in his home studio in his free time, Deen was selected this year to be “artist in residence” at the Hotel Phillips, a one-year position. In his day job, he is the manager at the Wild About Harry men’s store in Independence, Mo.
Deen is the second artist in residence, and his appointment began in February. The previous artist, Trey Bryan, took the position in 2012. Marcus Hotels & Resorts, the parent company of the Hotel Phillips, first launched the artist-in-residence program in 2009 at the Pfister Hotel in Milwaukee.
In a press release, hotel general manager Dan Bergmann said, “This year, we have added a working art studio and gallery in the hotel where guests and visitors can view Kevin’s architectural portraits and watch him as he paints. The expansion of the artist-in-residence program demonstrates our commitment to the Kansas City arts community, and we look forward to introducing Kevin and his work to our guests.”
Blaine Proctor, director of sales and marketing for the hotel, said, “It seems like with all that is happening in the arts community downtown and our proximity to the Crossroads District, it just made a lot of sense to me that we became involved with that group.”
“We were really lucky, because the two arts partners that we worked with on the selection really understood our goal,” Proctor said. “But Kevin — he just shone above everybody else. He came to us in his first interview with ideas on what he was going to do to talk to the guests and what he saw as ways to communicate and engage the guests. He’s also involved in the community — he knows things that are going on. He knows about Kansas City, the history, the culture, the community, so he’s sort of an extension of our sales and marketing team or our guest services department. A lot of people have said that he gave them an idea of something to do while they were here that they hadn’t thought of.”
Proctor said the rules for the artist in residence were “pretty loose” in terms of the hours they keep. “People are not feeling it every day,” Proctor said, explaining that he realized artists can’t do their work on a fixed schedule. So the hotel allows them to set their own hours.
Deen’s paintings hang in the hotel’s lobby, restaurant and bar areas. All are for sale, and Deen said he gets to set the prices and the hotel takes no commission. “There’s no stipulation on my creativity, which is really beautiful,” he said. “They basically want an artist’s presence here.”
Deen said he puts out signs in the lobby when he’s in his studio so that guests can come in and chat with him. “They want me to be an artistic liaison. They want me to greet guests, or hang out in the lounge and talk not just about my work, but also discuss things like ‘Have you been to the Nelson? Do you know there is a ballet going on that you could go to on Saturday night? Have you been to the Kauffman Center?’”
Deen described a bit of the selection process: “Because I had been in a show at the incubator, my name was thrown in the pot. It’s open to every artist in Kansas City. Anyone can apply, anyone can send in your portfolio.”
When he was first notified, he said, there were 16 or so artists that they had looked at. They asked those artists to send in their portfolios and to write something.
“They wanted to know things like, for example, ‘What do you think the Phillips will do for you? How will this help you as an artist to be here, and what will you do for the Phillips? Why would we pick you, what do you have to offer us — things like that.” Deen said the field was narrowed down to five artists before he was chosen.
A native of Iowa, Deen lives in Kansas City with his partner, Bill Pallucca.
Deen has a small artist studio in their home. People who visit, he said, are often surprised that his art is not on display in the rooms of their home. Much of his work, though, is commissioned. People give him photos of a barn or other structure and he does sketches first, and shows them to the client before embarking on the paintings.
One of his best clients was a couple in Whitefish, Mont., whom he met when they were visiting friends in Kansas City. They liked his work so much that they invited him, his partner and their friends to visit and stay at their home and commissioned what has now become 13 paintings. The connection led to him exhibiting his art at a festival in Montana, which led to the Hockaday Museum of Art in Kalispell, Mont., commissioning him to paint a portrait of the museum, and it now hangs in the museum entrance.
“What I’m not trying to do is an exact photo-realistic representation,” he said. Pointing out one painting in his studio, he said, “That barn, that house might have had some carving under the eaves, and I just took it off. And then I added the stripes. It was just a white house. I painted it solid orange, and afterward I thought, ‘This would be really cool with stripes.’ And I added in the fence.”
Deen also has many paintings that are abstract and not at all developed from any architectural building. “The paintings in the end for me really are about the color. And the buildings are just a vehicle to make the color happen,” he said with a laugh. “It’s definitely an extension of me, who I am.”
Deen’s art can be seen throughout the lobby, stairwell and restaurant at the Hotel Phillips, 106 W. 12th St., Kansas City, Mo. Visitors can talk with him at his studio in the hotel most Sundays and Mondays.
Deen’s commitment will end in early 2014, and Proctor said they would begin looking for a new artist in residence in December or sooner. Those interested in applying should contact BlaineProctor@hotelphillips.com.
Worldwide opera star Renée Fleming will perform in Kansas City on Thursday night, November 18, but the day before, she'll be part of a panel discussion for "Music and the Mind" — a conversation about how music affects the brain, cognitive development, healing and quality of life.
WHAT: Music and the Mind with Renée Fleming
WHEN: Wednesday, Nov 17, 2021
TIME: 4:00-5:30 PM
WHERE: The 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS, 66205
Music has a profound impact and the ability to shape 86 billion neurons in the brain for cognitive development, healing, and therapy. Science research has clearly shown that music therapy interventions can improve quality of life across nearly all neurological disorders. And there is tremendous public-interest in applying music to creative aging, childhood development, and community wellness.
But scientists want to know more.
Join soprano Renée Fleming and a distinguished panel of local Kansas City experts in neurology, music therapy, music and healing, and more for this cutting-edge discussion. Audience members will be able to participate in a Q&A following the panel discussion.
*Please note this Music and the Mind Event is not a musical performance*
As Artistic Advisor at Large to the John F. Kennedy Center for the Performing Arts, Renée Fleming has spearheaded a collaboration with the National Institutes of Health, with the participation of the National Endowment for the Arts (NEA). The Sound Health initiative explores and brings attention to research and practice at the intersection of music, health, and neuroscience. This collaboration has led to workshops at the NIH, and events and performances at the Kennedy Center. This initiative has also led the NIH to recently award $20 million dollars in funding for music and neuroscience research over five years.
As part of her advocacy, Fleming is also advisor to the recently launched NEA/UCSF Sound Health Network and co-chair of the Aspen Institute/Johns Hopkins NeuroArts Blueprint, both working to advance the field of arts and health.
This event is free and open to the public, but seating is limited. Please call the Harriman-Jewell Series at 816-415-5025 to reserve your seat.
WHAT: Renée Fleming, soprano in recital
WHEN: Thursday, Nov 18, 2021
TIME: 7:00 PM
WHERE: Helzberg Hall, Kauffman Center for the Performing Arts
COST: Tickets from $25.00 *discounts available for students, educators, first responders, active duty military and veterans with valid I.D.
Pair a glorious voice with a winning personality and you have a diva for the ages. Renée Fleming is a longstanding Harriman-Jewell Series favorite. With her many television and Broadway appearances, Fleming has been embraced by music lovers of all genres.
Whether singing at the Nobel Peace Prize ceremony, the Olympics, or Queen Elizabeth’s Diamond Jubilee, Renée Fleming represents opera to the world. In addition to her numerous operatic performances, Fleming often works classic show tunes and the Great American Songbook into her recitals. Fleming’s trademark rapport with audiences will give her Kansas City performance a warmth that is personal and sincere.
Rob Ainsley is pianist for the recital. His diverse career as a musician, conductor, educator, and administrator has taken him to top organizations and colleges from coast to coast. He now serves as Director of the Washington National Opera’s Cafritz Young Artists and American Opera Initiative. Ainsley performed with Renée Fleming in The Metropolitan Opera’s August 2020 “Met Stars Live in Concert” that was streamed worldwide.
ABOUT THE HARRIMAN-JEWELL SERIES
Renée Fleming's recital will mark the 977th performance since the Series was founded in 1965. From free education events that allow interaction with musicians and dancers, to our free Discovery Concerts that are open to the community, the Harriman-Jewell Series continues to offer life-enriching opportunities for its community's youth and lifelong learners.
Whether you're spreading truth, information, or love, traveling abroad for humanitarian reasons can have risks. Detained American journalist in Myanmar, Danny Fenster, is to be released from jail, and to fly home soon. But it doesn't always end well for every foreign national attempting to do good in a foreign country.
The missionaries consisting of sixteen Americans and one Canadian kidnapped by the Haitian “400 Mawozo” gang on October 16, is extremely scary. The gang has threatened to kill the humanitarian Christians if a million dollar per person ransom is not fulfilled. The group consists of men, women, children and an eight-month-old baby.
These missionaries have sacrificed their time and paid their own way to go to the poorest place in the Western hemisphere to try to spread God’s love and save some souls. In turn, the missionaries are experiencing a nightmare like they’ve never imagined. They’re imprisoned and being threatened with a bullet in the head.
Most of us will never get over seeing journalists being beheaded and tortured in Syria and Iraq by the barbaric Islamic extremist group called ISIL. Burning people alive and beheading others were too graphic and gruesome to ever be forgotten.
Years ago, I traveled to a third world country on a “missionary trip” with others thinking it would be a nice break. I’ve never worked so hard in my life.
Sadly, the 17 missionaries in Haiti are undergoing a cruel experience that may end with the cost of their very lives. What are they thinking now? What is going through the minds of the little children who traveled to a world to help others and spread God’s love?
Haiti has been the site of years of humanitarian efforts. The United States and other countries have given billions of dollars to help Haiti. Sadly, hurricanes, political unrest, underdevelopment and extreme poverty have all made for a sad scenario.
How much money would the world have to give to Haiti to make life better for this nation? This is a question no one can answer because usually aid is a short-term solution. We spent a trillion dollars in Afghanistan and they aren’t any better off today.
Good missionary people went to Haiti with good hearts for helping others in the name of God’s love. They went to share a message they hoped would bring about change and better lives. They may now lose their lives.
Christians point to Jesus as the model for such missionary efforts. He came preaching and teaching in an effort to demonstrate and spread God’s love and it cost him plenty – his life, executed in public on a cross.
There are some Christians today who, like Jesus, are willing to risk their lives for the sake of others. Did these men and women literally go to Haiti taking their children with them truly believe they could be killed? Would they purposefully do this to their children? Who convinced these people that such a trip with small children was a good idea?
My goal here is to simply say, think about such trips to places like Haiti. Afghanistan, Iraq, Northern Nigeria and numerous others countries are not vacation spots. Foreign travel may sound exotic and adventurous but consider the possible cost.
Many missionaries and Christian workers have paid the ultimate price in order to spread the gospel of Christ. Only eternity will reveal what their selfless sacrifice has meant to those whose lives they impacted.
By chance, if you decide such an international trip is not for you, don’t feel bad. Consider helping in an American inner city, Appalachia or maybe your own neighborhood. Service at home is needed across America.
Let’s pray for the safety of these missionaries and for those negotiating their release. May God help them and all who may consider such endeavors.
ABOUT THE AUTHOR
Dr. Glenn Mollette is a graduate of numerous schools including Georgetown College, Southern and Lexington Seminaries in Kentucky. He is the author of 13 books including Uncommon Sense, Grandpa's Store, Minister's Guidebook: insights from a fellow minister. His column is published weekly in over 600 publications in all 50 states. Glenn Mollette has been on numerous International humanitarian and missionary group trips. Hear Glenn Mollette every weekday morning EST at 8:56 on XM radio 131. Editor-If you need to tweak or do a small edit for you paper or website that is okay. Please respond to this email if you need a picture for this column. Scroll down for additional biographical info. Buy his latest recording titled "Black Coffee" on iTunes. Learn more at www.glennmollette.com
The Black Trans Fund, incubated at Groundswell Fund, and Grantmakers for Girls of Color launched the Holding a Sister Initiative, the first-ever national fund explicitly dedicated to transgender girls and gender-expansive youth of color.
Dr. Monique W. Morris, president and CEO of Grantmakers for Girls of Color, and Bré Rivera, program director of the Black Trans Fund are together spearheading the Holding a Sister Initiative to bring attention and resources to organizations supporting trans girls of color, normalize concern and investment in their success, and create learning opportunities for cis and trans girls of color to move in deeper community with one another.
The initiative will award $1 million in grants in the first year, and will ultimately engage trans girls and gender-expansive youth of color in the decision-making process for selecting grantees on an ongoing basis.
While there has been an increase in donor attention to work led by people of color, it has yet to translate into significant gains in funding for trans and gender-expansive youth of color.
According to recent regional studies in Detroit, South Florida and New Orleans, trans women of color face higher levels of hunger, homelessness, unemployment, incarceration and discrimination. At the same time, the majority of this year's record-breaking anti-trans legislation are targeted to affect youth, including bills that prevent transgender athletes from playing in school sports and the "Save Adolescents from Experimentation (SAFE) Act." Research has show sharp rises in suicide attempts among trans youth during 2020 and 2021.
"The reality is transgender and gender-expansive youth of color require more attention, and resources to interrupt the staggering intersections of trauma and crises they experience," said Bré Rivera.
The initiative joins existing funding intermediaries who have been leading the work to resource trans communities and engage trans people in the direction and distribution of resources, including the Third Wave Fund, the Black Trans Travel Fund, and Fund for Trans Generations. As funding partners, the Black Trans Fund and Grantmakers for Girls of Color aim to expand and transform philanthropy's investments in trans and gender-nonconforming youth. The initiative will move resources to organizations serving and led by trans girls and young women of color. It will also amplify narratives that elevate the humanity, dignity and leadership of trans and gender-expansive youth of color, as well as the ways their experiences and contributions have been overlooked, minimized and targeted by oppositional and systemic forces, and larger social justice movements.
The Holding a Sister Initiative will be led by a manager, who will steward culture change through grantmaking, capacity building, narrative shifting and philanthropic organizing. The position is currently open for applicants.
About Grantmakers for Girls of Color
Fiscally-sponsored by Rockefeller Philanthropy Advisors, Grantmakers for Girls of Color (G4GC) works to mobilize resources and amplify transformative organizing work to dismantle systems of oppression led by girls and gender-expansive youth of color. Grantmakers for Girls of Color openly invites partners and stakeholders to co-create an inclusive space in support of girls, young women, and gender-expansive youth of color across programmatic issues and geographic areas. Learn more by visiting Grantmakers for Girls of Color.
About the Black Trans Fund
The Black Trans Fund is a groundbreaking endeavor: the first national fund in the country dedicated to uplifting and resourcing Black trans social justice leaders. BTF seeks to address the lack of funding for Black trans communities in the U.S. through direct grantmaking, capacity building support, and funder organizing to transform philanthropy. Learn more by visiting Black Trans Fund.